Tune in to Tex Crick’s collection of romantic songs this Valentine’s Day. The Australian musician offers up an eclectic mix of bossa nova, folk, and soft rock, capturing the highs and lows of this moody day. See our feature on Tex’s recent album, Live In…New…
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High-design, “good taste” spaces are jarred by what is arguably their aesthetic antithesis—fantasy art. There’s an Ork in your Eames lounge chair, corrupting the seductive austerity of the moment, the minimalist fantasy of today’s most discerning consumer.
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These are deep teen dreams of outdoor spaces, creatures and naked branches, thrashing and caressing; menacing but not nightmarish, premonitions “inciting a passion for the possible”
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I think everyone at one point has shared a dream with someone else.
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Breaking the mould of what we’ve come to expect from slab porcelain, far from a demure vase or an oat-colored dish, removed from any familiar hand-building process, Narumi Nekpenekpen’s sculptures look like if Bratz dolls had their genes scrambled with your morning coffee mug.
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If nostalgia has been replaced with nodes, each connecting us to consumer culture in ways we never wished for, then fashion revivals are no longer a simple ode to the past, but a symptom of the present — chaos and all.
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Glassy facades of distant skyscrapers under a dismal sky of muscular smog.
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Isabelle Albuquerque’s work is carnal, ritualistic, one part transhumanism, another part teratophilia
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The men are getting exactly what they always dreamed of, perfect wives. But the dream is becoming a nightmare.
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In the dark dark corners of a dark dark house, up in the rafters of cob-webbed abandoned buildings, on the creaky stairs of a haunted mansion, in the shadows cast by a heavy wood door rusting on its hinges, live Shelley Uckotter’s paintings.
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Indulging her taste for taboo, Dunlap aims to explore her obsessions, breathing life into her darkest interests.
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In the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
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Children and adult abductees often reported a sensation of being both human and alien at the same time, a condition called “Dual Reference.”
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Our new mix is from artist Dang-Khoa Chau. D.K is known for uncovering musical hidden treasures, offering eclectic mixes that span genres like traditional guitar, techno, and ambient music.
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Julien Ceccaldi brings haunting new connotations to the popular idiom “I’m DEAD.”
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Beady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
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Don’t try to hide. Don’t answer your phone…
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Shepherd’s paintings suggest an indirect eroticism, something our libidinal instinct recognizes as erogenous: a sticky substance; something clean made dirty.
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