Harley Weir Code Red
From the characters buried deep within her psyche…
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Jennifer Carvalho
The past, the present, the future—it all flattens out into familiar but impenetrable relics.
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Mas Guerrero
Guerrero has managed to express the pure agony of simply having a memory. Think of anything and it is there.
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Anti_cgi: 10 Films for Halloween
Artist and curator Aramis Gutierrez’s top 10 horror movies
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Editor’s Pick: Chris Lloyd
Scribbly, boyish drawings of devils and swords are placed methodically between plebeian fear-slogans “We should never listen to the voice of Satan.” One gets the sense these works were created in the spirit of penance.
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Catherine Mulligan
Mulligan harnesses portraiture and landscape to explore ciphers of a postcapitalist dystopia—organized religion, climate anxiety, data mining, post-irony, fast fashion, faces that smile unknowingly, or perhaps in blissful ignorance.
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Editor’s Pick: Brittany Shepherd Sub Rosa
She is filthy, dirty, sticky. She is wet and messy.
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Isabelle Albuquerque
Isabelle Albuquerque’s work is carnal, ritualistic, one part transhumanism, another part teratophilia
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Will Sheldon’s Small Super Stars
The men are getting exactly what they always dreamed of, perfect wives. But the dream is becoming a nightmare.
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Shelley Uckotter’s Trap Paintings
In the dark dark corners of a dark dark house, up in the rafters of cob-webbed abandoned buildings, on the creaky stairs of a haunted mansion, in the shadows cast by a heavy wood door rusting on its hinges, live Shelley Uckotter’s paintings.
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Maggie Dunlap
Indulging her taste for taboo, Dunlap aims to explore her obsessions, breathing life into her darkest interests.
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Review: The Opioid Crisis Lookbook
In the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
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Moni Haworth Dual Reference
Children and adult abductees often reported a sensation of being both human and alien at the same time, a condition called “Dual Reference.”
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Must See: Julien Ceccaldi’s Centuries Old
Julien Ceccaldi brings haunting new connotations to the popular idiom “I’m DEAD.”
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Stanislava Kovalcikova’s Imaga
Beady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
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Dead End Road: Editorial Halloween
Don’t try to hide. Don’t answer your phone…
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Halloween Special: Sessa Englund
Englund eschews any deep ties to the paranormal. In this way, their works, at times, can feel like forgotten relics—excavated from the bottom of the sea, or forgotten some place and surrendered to the elements.
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Interview with Yngvild Saeter
Total and burgeoning, Yngvild Saeter’s portfolio gives the term ‘body of work’ a renewed purpose of meaning.
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