The Editorial Magazine

An elaborate cast of covertly knitted, imaginary forest-dwelling characters exist in Vereja’s garments alongside more anatomical symbols of the natural world, like dragonflies, birds, and stars.

Since placebo effects seem to appear most often in conditions characterized as “psychosomatic,” they collapse the dualism of body and mind that medicine relies on so fundamentally.

Bringing together ancient and contemporary worlds, mythic stories with popular culture and subtle imprints of her own personal experience, A change (would do you good) is a solo exhibition of new works by Natalia González Martín that present the enduring power and symbolism of mythology.

Venice Wanakornkul is among the herd of emerging designers going against the traditional and outdated systems of the fashion schedule and mass-production, while still creating longevity and community around her one-of-a-kind pieces.

Greta Rainbow on the phenomenon of artists pronouncing their love for the lord.

High-design, “good taste” spaces are jarred by what is arguably their aesthetic antithesis—fantasy art. There’s an Ork in your Eames lounge chair, corrupting the seductive austerity of the moment, the minimalist fantasy of today’s most discerning consumer.

Breaking the mould of what we’ve come to expect from slab porcelain, far from a demure vase or an oat-colored dish, removed from any familiar hand-building process, Narumi Nekpenekpen’s sculptures look like if Bratz dolls had their genes scrambled with your morning coffee mug.