The Editorial Magazine

While Hollomon’s satisfaction in seeing two worlds come together remains, his most recent creative project is about taking one thing away.

Muslimova’s alter-ego absorbs information through her body – through touch, taste, and seeing what she can fit in her vagina.

Verdant, vibrant markers buoyed up in the dulling turbulence of American society.

Long locks of hair spill outward with impossible strength; muscles bloom, stir and multiply like humid, low-hanging clouds before a thunderstorm.

For his latest FW21 collection, he takes cues from the world of fetish—bondage, soaked clothing, peek-a-boo voyeurism—grappling with the concept of restraint.

In a dry and temperate climate, the shade of Selg’s cave walls are covered with glitching fossils and melting glyphs, puzzles and amulets.

Smudged and vibrant, like noxious exhaust on a dark night

Self-love, sincerity, and ingenuity turn me on almost every time, no matter who or what it is that I am looking at.

Suspenseful, 1980s, and often athletic, Oda’s imaginary world feels like Nancy Kerrigan’s revenge story.

As viewers observing the dusty remains of these exiled monsters, we’re compelled to empathize with them.

Torrent itself is a celebration of the elements – stone, water, wood. This act of appreciating nature feels as though it’s happening through a glowing desktop computer in a dim, litter-strewn basement.

In Buff, Max Heiges presents a collection of 60+ hand-cut steel barbells and dumbbells, turning New Release Gallery into a kitschy home-gym.

False Witness, aka producer Marco Gomez, is a force of chaotic good in the underground club landscape. In step with the socio-political environment that produced techno and dance culture, Gomez’s music functions as a response to the highly charged political atmosphere in which we live—it is musical armour for anxious and futile times, embracing dark, manic energies.

Perfect coded patterns are made from imperfect brushstroke petals.