Category: Uncategorized

Caroline David’s Neo-primordial fantasies

With shifts in consciousness and a warming world, we are grappling with gradually losing all we had hoped the environment could offer. The natural world becomes, increasingly, fodder for a fantasy—a refracted chimera of buds, vines, and plump fruit. Caroline David’s work reminds me of my favourite video game, Rayman 2: The Great Escape. Rayman—though a bit of a simpleton—occupies a landscape that is ethereal, mysterious, and abundant. Bouncing plums, sparkling lums, teensies and Globox, this dreamworld feels safe because it’s so far removed from reality. It subsists despite human intervention, is ever-lush and effervescent.

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Jasmine Armani on Motherhood

Jasmine Armani is a model, musician, and poet. Better known by her Instagram moniker @bbyafricka, Armani has been a muse for LA design house No Sesso, and recently posed for David LaChapelle’s Spring/Summer 2019 Kenzo campaign, just before the birth of her son, Shavo. In addition to her many talents, Armani is a new mommy! We talk to the iconic matriarch about what it’s really like to give birth.

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A Conversation with Dasha Nekrasova

In The Darby Bonarsky Story, Dasha Nekrasova plays a melodramatic, self-destructive actress whose commitment to her craft is only rivalled by her love of alcohol and schoolgirl skirts. It’s one of many canny, close-to-life performances over the past few years that have in many ways made Dasha the crisis actress of the moment. A Russian ex-pat raised in Las Vegas, with a degree in Lacanian Theory, she has since made a name for herself in all forms of contemporary celebrity: model, podcaster, meme icon, aspiring it-girl, and—with the release of Eugene Kotlyarenko’s Wobble Palace—movie star. Dasha reaches each triumphant milestone with her signature charisma and charm.

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A Conversation with Hein Koh

Hein Koh’s artwork is both emotive and ecstatic. Sparkly stuffed creatures condense ideas that drift between the surreal and the sentimental. Her works evoke my childhood, and my distance from it. In early development, sense is paramount and back then, play depended more on physicality then digital experiences. I emailed Hein recently to hear about the scheming and process behind the worlds she builds in fabric, these kindred forms and her relationship to Surrealism, Pop Art, and twins.

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Eugene Kotlyarenko talks to Asher Penn

Eugene Kotlyarenko is the most relentless auteur of millennial indie. Since the release of his tour-de-force 0s & 1s—a multicam post-internet fable of a young man’s quest to be reunited with his laptop—Eugene has consistently been making films that showcase the rising personalities of the avant-garde, propelling them onto increasingly bigger screens.

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ET in His Own Words

PUBLISHED IN ISSUE 19 PHOTOS BY DUSTIN HENRY It’s undeniable that Etienne Gange has got the look! We asked the Montreal skater what makes him tick. Photos by Dustin Henry. Special thanks to Vans for making it happen!  

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Maya Fuhr’s Snake Fashions

She’s got a long neck and attitude to match. Whip-smart, carefree, and boiling-over with acuity. With big strange chunks of cardboard taped to the sides of her face, she blocks out the has-beens of seasons past. Her body, a loose hose, motions confidently to the future of elegance.

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Kate Howells’ Exit Strategies

You’re probably all a bit concerned about the climate at this point. I bet a lot of you read  articles, discuss climate change with your friends, recycle, and maybe even make an effort to vote green. But really, the concern is largely academic for a lot of us. When the climate shit hits the fan, the people reading this are probably going to be pretty safe.

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Nena Madalena’s Joy Transmissions

Nena Madalena’s paintings are joy transmissions. When our bodies stop working, are we as free as this? Colourful, patient brushstrokes and meticulous patterns depict the things the artist holds close to her heart: family, children, flora and fauna.

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Tamara Faith Berger talks to Whitney Mallett

Tamara Faith Berger writes the best similes. Like the rest of her prose, they’re visceral and utilitarian. “My mouth felt like wallpaper glue” or “the smell from her shorts was like milk on the verge.” The pleasure of Berger’s language, the way it grabs you—you can flip open a page at random and it’ll still sink its hooks into you.

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Jessica Baldanza on Dr. Death: the Renaissance Man

Historically, the concept of the “Renaissance Man” has been as ill-bequeathed as it has been gendered, and the aspiration to it may or may not be responsible—consider any number of “celebrity crossovers” from George Bush’s dog paintings to James Franco’s (unfortunate) homages to Cindy Sherman. Amongst such ranks are the various works of Dr. Jack Kevorkian. Also referred to as “Dr. Death,” Kevorkian was a self-proclaimed renaissance man, and possessor of a different kind of fame.

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David Jien’s Prime Earth

Like an anxious Slider, we arrive to David Jien’s world in hopes that it is Prime Earth. Recon: everyone is happy, busy. There are lush leaves on the trees, normal clouds and normal sunshine. There’s a sense of purpose, adventure even. ABCs are in order; things are normal. Until we realize—they aren’t.

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