High-design, “good taste” spaces are jarred by what is arguably their aesthetic antithesis—fantasy art. There’s an Ork in your Eames lounge chair, corrupting the seductive austerity of the moment, the minimalist fantasy of today’s most discerning consumer.
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These are deep teen dreams of outdoor spaces, creatures and naked branches, thrashing and caressing; menacing but not nightmarish, premonitions “inciting a passion for the possible”
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I think everyone at one point has shared a dream with someone else.
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Breaking the mould of what we’ve come to expect from slab porcelain, far from a demure vase or an oat-colored dish, removed from any familiar hand-building process, Narumi Nekpenekpen’s sculptures look like if Bratz dolls had their genes scrambled with your morning coffee mug.
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Glassy facades of distant skyscrapers under a dismal sky of muscular smog.
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Indulging her taste for taboo, Dunlap aims to explore her obsessions, breathing life into her darkest interests.
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In the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
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Beady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
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Shepherd’s paintings suggest an indirect eroticism, something our libidinal instinct recognizes as erogenous: a sticky substance; something clean made dirty.
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Murgatroyd imbues his reportage with tangible undercurrents of hope and gratitude. Looking at his paintings you sense the kindness of strangers and their dogs, the impossibility of flowers, the importance of simple tasks that keep time.
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Julian Yi-Zhong Hou uses Tiffany-style glass, mirrors, jade, and quartz, soldering them into near-symmetrical compositions that reference symbols from ancient and contemporary Chinese culture.
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“My poetry involves flight or birds – there’s a promise of freedom and boundlessness.”
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Being from New York, D3AD6OY has had many strange encounters — it can get crazy here, sometimes very manic — still the musician doesn’t miss when it comes to being a vibe. His new video for the track “Strange” (the song’s title references its sampling…
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Silicone, snakeskin, and beehives are just some unusual materials used in Natasha Romano’s sculptures.
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The smell of calpol on a warm evening, clinging to the thick air of the living room, children running around in a blue TV-glow.
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Our latest mix is from musician CFCF, Mike Silver, who’s recent album Memoryland is a staple at Editorial HQ. Known for the emotionally culminating and nostalgic soundscapes in past albums The Colours of Life and Self Service, CFCF hones his skill for world-building in his…
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Comprising a series of collaged beach towel paintings, and an installation of tangled screens and circuit boards that proffer snippets of a year of digital discourse, Borna Sammak’s new exhibition taps into the overwhelming experience of this particular summertime.
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Though flirtatious and irreverent, Assholes questions our compulsive obsessions with the bodies of others
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