Catherine Mulligan

Mulligan harnesses portraiture and landscape to explore ciphers of a postcapitalist dystopia—organized religion, climate anxiety, data mining, post-irony, fast fashion, faces that smile unknowingly, or perhaps in blissful ignorance.

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Happy

Happy’s work is an accessible sojourn into a tranquil world of digital primary colors soaking into pastels, creating a plane of existence that feels easily blissful.

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Frank Dorrey

Printed in Issue 21 Frank Dorrey’s world is one of colour and clash, an overly-saturated realm of sunburnt imagery evocative of that very 90s cocktail of low-quality and high-contrast, one part Hype Williams-directed “Gimme Some More” and one part children’s program animation. Frank makes his works using…

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Editor’s Pick: Teng Yung Han

Inspired by the idea of dreams and their meaning in our universe, Taiwanese artist Teng Yung Han navigates a made-up world in which her drawings exist in the peripheral. First featured in Editorial Mag over six years ago, Teng now critiques the persona that she’s…

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