PUBLISHED IN ISSUE 16 INTERVIEW BY JESSICA KIRSH Rolling hills and winding roads, crowded forest and crashing waterfalls, sunrises and sunsets…we’ve seen it all. And Shara Hughes knows it. Her paintings act as heartfelt citations to art history, memory, and lived experience—assuming that all places…
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DJ Ashlyn Ace brings us back to the late 90s with her exclusive new mix for Editorial Magazine, Parlé. Drawing inspiration from her formative years as a youth listening to 1.007 Milwaukee, the local R&B radio station, Ashlyn revisits slow burning bangers from the likes…
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PHOTOS BY KRISTY BENJAMIN WORDS BY JANE PENNY In March I flew to Los Angeles with my friend and collaborator Bronwyn Ford to film a new music video for my band TOPS. We stayed at the house in Glendale where we shot the video. I…
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PUBLISHED IN ISSUE 16 A DIALOGUE WITH THE MEMBERS OF BUFU PHOTOGRAPHY & TEXT BY JUNE CANEDO STYLING BY TESS HERBERT MODELS: Jazmin Jones , Tsige Tafesse, Suhyun Choi In the midst of a violent and divided year in the United States, I was moved…
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PUBLISHED IN ISSUE 16 WRITTEN BY REBECCA STORM Some might call it good old-fashioned Southern cooking, some might call it post-war delights from pantry staples, and some might not take so much as a bite. Whatever your persuasion, it’s hard to resist the undeniable charm and…
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Today we are premiering a new song from Berlin-based crooner Better Person. Singing for the first time in his native Polish, Better Person AKA Adam Byczkowski, reaches new levels of emotive depth with “Zakochany Człowiek”(“A Man in Love”), his first release since his acclaimed EP It’s…
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INTERVIEW BY DARBY MILBRATH Mother Tongue at Clint Roenisch Gallery 9 March – 15 April, 2017 190 Saint Helens Avenue, Toronto, Ontario Mother Tongue is as if Claire Greenshaw pressed pause and all of a sudden these domestic moments and fragments of the mundane and…
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PUBLISHED IN ISSUE 16 Tilly Lawless is one of the many “faces of prostitution.” She is a queer writer, university grad, and equestrian living and working as a sex worker in Australia. I found Tilly through social media and was taken aback by her intimate…
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PUBLISHED IN ISSUE 16 WORDS BY CLAIRE MILBRATH PORTRAIT BY JONNY NEGRON Catherine the Great was rumoured to have killed her own husband, and reportedly traded lovers like cards. She was a German Princess of the 18th century, and a sovereign of Russia for thirty-four…
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INTERVIEW BY DARBY MILBRATH Naturally, I wanted to sit down and talk to Katie Lyle as we’re both female painters from Victoria, working in Toronto, and interested in representations of the female figure in motion. She toils away at portraiture painting, building layer upon layer…
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Editorial featuring designer Matthew Adams Dolan. Photos by Kevin Buitrago and styling by Marcus Cuffie
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PUBLISHED IN ISSUE 16 Justine Rivas makes magical paintings that come from magical thinking. To become an artist she learned the ideologies spoken between standard lines from trusted sources as other self-truths were sparkling in her proximity. Studying the choreography of her sociocultural context and…
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PUBLISHED IN ISSUE 16 Garbage and ghosts are both lonely. Emerging from the trash of porn culture, Florencia Escudero’s sculptures haunt a honeymoon suite, their hollowed-out contours suggestive phantasms, flirting with packaged and plastic notions of hot women and hetero coupledom, but these effigies are…
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Plaza by Camille Jodoin-Eng Gladstone Art Hut, February 23-26th, 2017 Interview by Darby Milbrath Video by Brittany Shepherd I like to think about the transitionary nature of a space. This space was a cafe once. Then it was hollowed out and empty, waiting to become a…
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PHOTOS BY SHELBY FENLON STYLING BY AMANDA LEE SHIRREFFS Model: Henriette @ Seen Agency Clothing: 1 bustier: borrowed from Amanda’s Aunt / pants: House of Vintage / shoes: Value Village 2 bodysuit: Chosen Vintage 3 ‘shoes’: Shelby Fenlon / dress: Chosen Vintage 4 sweatshirt: Henriette’s…
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PUBLISHED IN ISSUE 16 TEXT BY ZOE KOKE “Where do we get the energy to fight, where are the flowers?” is a part of the spoken voiceover for Amalia Ulman’s Powerpoint presentation, for her most recent performance, Privilege. I am feeling spacey from a 60…
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“Places are fragmentary and inward-turning histories, pasts that others are not allowed to read, accumulated times that can be unfolded but like stories held in reserve, remaining in an enigmatic state” -Michel de Certeau, The Invention of Everyday Life, 1990. The scale of Tess Roby’s large-format…
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PUBLISHED IN ISSUE 16 Interview & styling by Nafisa Kaptownwala Photography by Arvida Byström Wardrobe from 69us I was first introduced to Evelyn Mason’s music through her project Bobo Eyes, which she worked on alongside Regular Fantasy’s Olivia Meek. The two made the sweetest electronic/pop/R&B,…
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