Marilyn Monroe’s body, a reclining nude in a classical painting, a model from an online shopping site—Sara Cwynar is known for reassembling objects of desire. Symbols of beauty are presented here, in the artist’s solo show, Marilyn, just as they are in advertising, stressing an important through-line in the two worlds and in the affects they produce. Cwynar’s project is in surveying the object-life of visual matter, pulling focus on the bizarre ephemera of commercial goods, and in doing so offering a feeling of desire that leads not to a check-out, but only back to itself.
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