Picture a world populated peacefully with monsters—trolls, goblins, people with tentacles for legs, tiny alien people, or giant people coexisting with humans on Earth. Imagine: somewhere in some nondescript home, a demon sits mostly nude on the living room floor and, their children asleep, opens their skull from the back to calmly contemplate a sheet-wrapped corpse.
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Rhys Lee’s paintings give the impression of having been kept in a basement or attic for decades, destroyed by dank conditions, dust, mold and water damage, and then discovered years later, long after the passing of the subject, their colours still eerily vivid.
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Photos by Lance Brewer Photos courtesy of the artist and Gavin Brown’s enterprise, New York Text by Olivia Whittick Since 2014, Women’s History Museum has been putting together ardent and avant-garde exhibitions and performances, developing projects that use garments and textiles to…
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Marisa Takal hides things in her paintings. I can feel something like a sense of humor emanating from the salmagundi of her work.
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