Isabelle Albuquerque
Isabelle Albuquerque’s work is carnal, ritualistic, one part transhumanism, another part teratophilia
➼ Read MoreIsabelle Albuquerque’s work is carnal, ritualistic, one part transhumanism, another part teratophilia
➼ Read MoreThe men are getting exactly what they always dreamed of, perfect wives. But the dream is becoming a nightmare.
➼ Read MoreIn the dark dark corners of a dark dark house, up in the rafters of cob-webbed abandoned buildings, on the creaky stairs of a haunted mansion, in the shadows cast by a heavy wood door rusting on its hinges, live Shelley Uckotter’s paintings.
➼ Read MoreIndulging her taste for taboo, Dunlap aims to explore her obsessions, breathing life into her darkest interests.
➼ Read MoreIn the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
➼ Read MoreChildren and adult abductees often reported a sensation of being both human and alien at the same time, a condition called “Dual Reference.”
➼ Read MoreOur new mix is from artist Dang-Khoa Chau. D.K is known for uncovering musical hidden treasures, offering eclectic mixes that span genres like traditional guitar, techno, and ambient music.
➼ Read MoreJulien Ceccaldi brings haunting new connotations to the popular idiom “I’m DEAD.”
➼ Read MoreBeady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
➼ Read MoreDon’t try to hide. Don’t answer your phone…
➼ Read MoreEnglund eschews any deep ties to the paranormal. In this way, their works, at times, can feel like forgotten relics—excavated from the bottom of the sea, or forgotten some place and surrendered to the elements.
➼ Read MoreTotal and burgeoning, Yngvild Saeter’s portfolio gives the term ‘body of work’ a renewed purpose of meaning.
➼ Read MoreLove and the hell of late-capitalism described with clarity and personality. I think Ferrick gets me.
➼ Read MoreHalloween Confession speaks to the comic nightmare that has escaped from the shadows of our dreams and devoured our waking lives.
➼ Read MoreMoving from the bedroom to airplanes, bed bugs have found a new home. A cheaper alternative to sugar, high fructose corn syrup increases the risk of fatty liver disease, obesity, inflammation, and diabetes. Tyler Thacker’s foray into hyper-realism offers an insidious snapshot of the hyper-ominous afterglow of a contemporary zeitgeist’s shelf-life in a capitalist system. Halloween is always a little frightening, sure, but what’s truly terrifying are the reverberating specters of consumers navigating globalization: aka each one of US! Itching, scratching and gouging our way toward an uncertain future.
➼ Read MoreWARNING: The music you are about to hear is terrifying, not for the faint of heart. For this years’ annual Halloween mix from Darby Milbrath, we’re treated to a truly fearsome sound collage that may just bring you to tears. Spirit music, harmonic chants, nuns,…
➼ Read MoreIs that a monster under my bed, or is it me? Olga Abeleva’s characters, while verging on fantasy, are relatable. They occupy quotidian planes in moments that seem to exist in the psychic space that prefaces a disaster—flames licking the edges of a curtain; a scorned lover chain smoking woefully outside, plotting revenge; a cockroach scuttling toward an unassuming hand; a knife dancing between flesh. Almost as if each painting is a window into the same world, these characters coexist, unaware of the inevitable tragedy doomed to befall them. Sounds pretty scary, right? What’s scarier is thinking about all the ways in which you, dear reader, are unaware of the doom that’s waiting for you—just around the corner! – Rebecca Storm
➼ Read MoreIn the week leading up to October 31st, we will be sharing the bone-chilling work of some of our favourite freaky artists, alongside a hair-raisingly festive little interview! What if you burned everything you feared down to the ground? A smouldering heap of ghosts. Is dominating…
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