In the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
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Children and adult abductees often reported a sensation of being both human and alien at the same time, a condition called “Dual Reference.”
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Our new mix is from artist Dang-Khoa Chau. D.K is known for uncovering musical hidden treasures, offering eclectic mixes that span genres like traditional guitar, techno, and ambient music.
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Julien Ceccaldi brings haunting new connotations to the popular idiom “I’m DEAD.”
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Beady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
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Don’t try to hide. Don’t answer your phone…
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Englund eschews any deep ties to the paranormal. In this way, their works, at times, can feel like forgotten relics—excavated from the bottom of the sea, or forgotten some place and surrendered to the elements.
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Total and burgeoning, Yngvild Saeter’s portfolio gives the term ‘body of work’ a renewed purpose of meaning.
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Love and the hell of late-capitalism described with clarity and personality. I think Ferrick gets me.
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Halloween Confession speaks to the comic nightmare that has escaped from the shadows of our dreams and devoured our waking lives.
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Moving from the bedroom to airplanes, bed bugs have found a new home. A cheaper alternative to sugar, high fructose corn syrup increases the risk of fatty liver disease, obesity, inflammation, and diabetes. Tyler Thacker’s foray into hyper-realism offers an insidious snapshot of the hyper-ominous afterglow of a contemporary zeitgeist’s shelf-life in a capitalist system. Halloween is always a little frightening, sure, but what’s truly terrifying are the reverberating specters of consumers navigating globalization: aka each one of US! Itching, scratching and gouging our way toward an uncertain future.
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WARNING: The music you are about to hear is terrifying, not for the faint of heart. For this years’ annual Halloween mix from Darby Milbrath, we’re treated to a truly fearsome sound collage that may just bring you to tears. Spirit music, harmonic chants, nuns,…
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Is that a monster under my bed, or is it me? Olga Abeleva’s characters, while verging on fantasy, are relatable. They occupy quotidian planes in moments that seem to exist in the psychic space that prefaces a disaster—flames licking the edges of a curtain; a scorned lover chain smoking woefully outside, plotting revenge; a cockroach scuttling toward an unassuming hand; a knife dancing between flesh. Almost as if each painting is a window into the same world, these characters coexist, unaware of the inevitable tragedy doomed to befall them. Sounds pretty scary, right? What’s scarier is thinking about all the ways in which you, dear reader, are unaware of the doom that’s waiting for you—just around the corner! – Rebecca Storm
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In the week leading up to October 31st, we will be sharing the bone-chilling work of some of our favourite freaky artists, alongside a hair-raisingly festive little interview! What if you burned everything you feared down to the ground? A smouldering heap of ghosts. Is dominating…
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Walking down a dark slanted street in Queens, NY, flickering street lamp, the faint smell of compost. Suddenly overcome with the feeling of dizziness, anxiety, and nausea, you stumble to the edge of the road, sliding yourself against the wall, step by step closer to home.…
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Darby Milbrath returns for her annual Halloween mix of scary classical and ambience music. Warbling strings that are thought to be made by the devil. Artwork by Nick Bierk. Darby Milbrath is a Toronto based artist and editor at Editorial. See more of her work HERE.…
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Stampley’s world is a celebration of the dreaded Bitch, a vixen decal slapped on the bumper of a truck speeding towards hell, a murderous nymphomaniac she-devil behind the wheel.
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A hot bullet sears through a glistening ice cube gouging out a peephole through which can be seen an alluring, anthropomorphic broom. This is the nightmare painted by Brooklyn-based artist Emily Mae Smith. Smith seems haunted by this broom, repeatedly painting it into different contemplative landscapes, as if she can’t escape it.
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