Happy

Happy’s work is an accessible sojourn into a tranquil world of digital primary colors soaking into pastels, creating a plane of existence that feels easily blissful.

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Frank Dorrey

Printed in Issue 21 Frank Dorrey’s world is one of colour and clash, an overly-saturated realm of sunburnt imagery evocative of that very 90s cocktail of low-quality and high-contrast, one part Hype Williams-directed “Gimme Some More” and one part children’s program animation. Frank makes his works using…

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Editor’s Pick: Teng Yung Han

Inspired by the idea of dreams and their meaning in our universe, Taiwanese artist Teng Yung Han navigates a made-up world in which her drawings exist in the peripheral. First featured in Editorial Mag over six years ago, Teng now critiques the persona that she’s…

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Vereja

An elaborate cast of covertly knitted, imaginary forest-dwelling characters exist in Vereja’s garments alongside more anatomical symbols of the natural world, like dragonflies, birds, and stars.

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Editor’s Pick: Marc Kokopeli

For his exhibition die Pampertaarten, New York artist Marc Kokopeli takes up a popular craft practice known as “diaper cakes.” Diaper cake ideas use baby diapers to fabricate fanciful, themed objects, which are then offered as gifts at baby showers and gender reveal parties.

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Interview with Andrew Callaghan

Andrew Callaghan is drawn to annoying people like a moth to a flame. But partly maybe because he isn’t as immediately dismissive as the rest of us. He practices what he calls “radical listening” in his interviews, which is quite radical considering his subjects include Chet Hanks, the QAnon Shaman, attendees of the Hollywood antivax rally, a pickup artist bootcamp in Las Vegas, and numerous QAnon, Flat Earth, Conscious Life, and Bigfoot hunting conferences, to name only a few.

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Editor’s Pick: Natalia González Martín

Bringing together ancient and contemporary worlds, mythic stories with popular culture and subtle imprints of her own personal experience, A change (would do you good) is a solo exhibition of new works by Natalia González Martín that present the enduring power and symbolism of mythology.

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VeniceW

Venice Wanakornkul is among the herd of emerging designers going against the traditional and outdated systems of the fashion schedule and mass-production, while still creating longevity and community around her one-of-a-kind pieces.

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