PUBLISHED IN ISSUE 12 Drawing on the formal conventions of commercial stock photography, Jimmy Limit engages the graphic vocabulary of ULine’s industrial and packing catalogues. Limit recontextualizes the generic language of the catalogue and renders it absurd, eschewing coherence in favour of visual gratification. By displaying them…
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PRINTED IN ISSUE 12 PAINTINGS BY ZACHARY CUMMINGS My most recent body of work is derived from crime scene photos used in violent cases that my mother has tried as a prosecutor. Banal, uncomposed, and indexical, crime scene photos contain the inhuman gaze of the…
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I haven’t been this excited about a photographer in a while. I stumbled onto Polish-photographer Michel Sadowski‘s work and couldn’t believe he’d never been published. His photos are completely original, existing outside of current photography trends. I would describe them as observational, existential, sad and funny. Michel…
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We asked photographer Kristie Muller to shoot a fashion story for our latest issue. Having been on a seeming hiatus from fashion photography, we were excited when she sent us this surveillance-style editorial. Shot and styled by herself, Kristie presents a pedestrian perspective of fashion, not particular…
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Cry your heart out with Harry, Dusty, Pete and more. Seductive songs for sensitive souls on melancholy days. Tunes collected and mixed by Rebecca Storm. 1. Bee Gees – Reaching Out (Demo) 2. Beach Boys – All I Wanna Do 3. Dusty Springfield – If…
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INTERVIEW & PHOTOS BY LAURA-LYNN PETRICK PRINTED IN ISSUE 12 Juan Pablo Wauters of Queens, New York is a charismatic kind of man. When I met him he pulled up on Dundas Street in a late ‘80s white Volvo station wagon wearing Levi’s and a…
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Sophia Larigakis is an upcoming Montreal photographer and student. She also seems to travel a lot, as discovered through the unfamiliar scenes in her work. With an interest in experimental and New Wave film, Sophia’s images feel cinematic, sci-fi even, but retain a soft femininity.…
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SHITTY GENIUS AN ESSAY BY BRAD PHILLIPS PUBLISHED IN ISSUE 12 I am writing in this fashion, where I’m referring to myself, because it allows me to tell you that it’s possible I have been told I am a genius. And that it’s…
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Christian DeFonte submitted his snapshots to us over the holidays. Originally from San Jose and now working in NYC, Christian’s photos document his trips back home. His work is borderline vernacular – candid family shots – namely of his baby sister, cousin and grandmother, and…
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INTERVIEW & PHOTOS BY REBECCA STORM Burning Barbershop: spearmint , lavender, burnt oil, lime, absolute, vanilla, hemlock spruce, turkish rose, hay While most of Western culture marinates in it, the creation of perfume sort of flies under the radar—more often regarded as a commercial enterprise rather than an…
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Maya Fuhr’s latest photo diary documents her ten-day trip to Hawaii this Xmas with her sister, her dad and his girlfriend. Maya says the trip was strange and slightly boring. To see more of Maya’s work, click here.
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PRINTED IN ISSUE 12 INTERVIEW BY APRIL KELLER-MACLEOD PHOTOS BY KATRIN BRAGA Anyone who has ever had the opportunity to see Connan Mockasin perform live will know that he is not just a musician, but a total creative vision taking form through sound and performance. Originally from…
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Nathan Cyprys is a photographer working in Toronto. The editor at Vice Canada put me on to Nathan’s work when we were curating the Vice photo show ‘Kind of Wild and Sort of Free.’ His photos from a recent trip to Barbados and Eleuthera Island fit…
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When I was asked to write “a meet the editors” piece for The Editorial I was excited because I sort of thought I was an editor, and that I would have the chance to introduce myself to the readers of this magazine. But then I…
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PRINTED IN ISSUE 12 PHOTOS BY FATINE-VIOLETTE SABIRI STYLING BY LU PHILIPPE GUILMETTE ASSISTANT: JEAN-GUY FORGET MODEL: Nôamane Sabiri CREDITS: 1: Top: Le Service Public 2, 3: Turtleneck: Superfluous, Suit: Acne Studios, Shoes: Y-3 4: Top &…
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EDITORIAL SHOT BY COREY OLSEN STYLING BY THE FARMERS OF VERMONT
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Like a lot of artists featured in the Editorial, Jonny Negron has a lascivious vision. The body, deformed and hyperbolic, is the center of attention, cast in colorful, two-dimensional spaces. What makes Negron’s characters special, though, is not just that they appear to be complicit…
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Photographer Stefano Marchionini was looking for a new way of depicting the human body when he first started experimenting with photography. His first project, Entr’ouvert, a collaboration with his boyfriend Vivien Ayroles, explored the notions of “intimate” and “social.” His next series, a self-published book called “I See…
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