Y2K Groundhog Day
If nostalgia has been replaced with nodes, each connecting us to consumer culture in ways we never wished for, then fashion revivals are no longer a simple ode to the past, but a symptom of the present — chaos and all.
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Julius Hofmann’s Brick & Mortar
Glassy facades of distant skyscrapers under a dismal sky of muscular smog.
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Isabelle Albuquerque
Isabelle Albuquerque’s work is carnal, ritualistic, one part transhumanism, another part teratophilia
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Will Sheldon’s Small Super Stars
The men are getting exactly what they always dreamed of, perfect wives. But the dream is becoming a nightmare.
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Shelley Uckotter’s Trap Paintings
In the dark dark corners of a dark dark house, up in the rafters of cob-webbed abandoned buildings, on the creaky stairs of a haunted mansion, in the shadows cast by a heavy wood door rusting on its hinges, live Shelley Uckotter’s paintings.
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Maggie Dunlap
Indulging her taste for taboo, Dunlap aims to explore her obsessions, breathing life into her darkest interests.
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Review: The Opioid Crisis Lookbook
In the second issue of the magazine, an ad for Codependents Anonymous is followed by a sardonic editorial featuring Magic: The Addiction, a fictional card gamewith characters like “Nod the Comedown Clown” and “Lord Overdose.”
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Moni Haworth Dual Reference
Children and adult abductees often reported a sensation of being both human and alien at the same time, a condition called “Dual Reference.”
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D.K. Editorial Mix
Our new mix is from artist Dang-Khoa Chau. D.K is known for uncovering musical hidden treasures, offering eclectic mixes that span genres like traditional guitar, techno, and ambient music.
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Must See: Julien Ceccaldi’s Centuries Old
Julien Ceccaldi brings haunting new connotations to the popular idiom “I’m DEAD.”
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Stanislava Kovalcikova’s Imaga
Beady eyes peer out from grimy, disintegrating darkness in Stanislava Kovalcikova’s Imaga.
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Dead End Road: Editorial Halloween
Don’t try to hide. Don’t answer your phone…
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Brittany Shepherd’s Waltz of the Mired
Shepherd’s paintings suggest an indirect eroticism, something our libidinal instinct recognizes as erogenous: a sticky substance; something clean made dirty.
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Shana Sadeghi-Ray’s Thread The Needle
Sadeghi-Ray feels out the more sinister definitions of capital and success that often undergirds the cute aesthetics of play. The gallery walls are filled with miniature models, toys and hair accessories that shimmer like candy-coloured jewels ready for retrieval.
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Conor Murgatroyd’s Relation
Murgatroyd imbues his reportage with tangible undercurrents of hope and gratitude. Looking at his paintings you sense the kindness of strangers and their dogs, the impossibility of flowers, the importance of simple tasks that keep time.
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Julian Yi-Zhong Hou’s Country Balance
Julian Yi-Zhong Hou uses Tiffany-style glass, mirrors, jade, and quartz, soldering them into near-symmetrical compositions that reference symbols from ancient and contemporary Chinese culture.
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Interview with Oscar Yi Hou
“My poetry involves flight or birds – there’s a promise of freedom and boundlessness.”
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Premiere: D3AD6OY’s Strange
Being from New York, D3AD6OY has had many strange encounters — it can get crazy here, sometimes very manic — still the musician doesn’t miss when it comes to being a vibe. His new video for the track “Strange” (the song’s title references its sampling…
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