False Witness Editorial Mix
False Witness describes their newest mix GAY as in PSYCHONAUT (I still love him) as psychedelic, politically anxious, forlorn, and washed out.
➼ Read MoreFalse Witness describes their newest mix GAY as in PSYCHONAUT (I still love him) as psychedelic, politically anxious, forlorn, and washed out.
➼ Read MorePhotos by Theo Christelis Review by Molly Cranston Soft Opening debuts their new gallery space on Minerva Street with a contemplative group show. In Eigenheim, the artists fill the former tattoo studio with objects and talismans of past lives, fretful prophecies and “spaces that invoke…
➼ Read MoreThe NIAD art center provides studio space and mentorship for adult artists with disabilities. Working with textiles, clay, and paint, the artists at NIAD acquire artistic and independent living skills, profiting off their work and building connections with contemporary art galleries.
➼ Read MoreI can look at Angela Heisch’s paintings for a long time. Her sense of colour and depth draw the viewer into a quiet state. Her practice shifts away from the turbulent, high-speed world that we inhabit, offering a pathway to introspection.
➼ Read MoreCare Not Cages began as an artist relief fund for incarcerated artists, organized by Crenshaw Dairy Mart, an artist collective advocating through the lens of abolition and healing in Inglewood, California. Ten incarcerated artists applied for the fund and all ten received relief. Now six of those artists, Ras Allen, Mesro the Human Sun, Ronell Draper, Miguel Flores AKA Smoke, Orlando Smith, and Larry White, are exhibiting their work in Care Not Cages: Processing a Pandemic on Gallery Platform LA.
➼ Read MoreAs ever Parsons’ mastery of “LA colours” is cinematic and irresistible. In sugar deep and fading shades of pink, black and blue she pays homage to a city of Neo-Noir melodrama and 90s music video romance.
➼ Read MoreImpressionistic in the truer sense of the word, immediacy, color and feeling take precedence over application and technique. Billy White’s paintings are full of life, vibrant layers of paint and thick, confident lines register from afar.
➼ Read MoreMelanie Ebenhoch sets the scene with a pun. As a full moon rises gently through a pair of bare, marble-smooth legs, illuminating the fog of Old Hollywood below, we consider the act of ‘mooning’, both as an act of self-exposure and innocent intimacy.
➼ Read MoreTo commemorate the passing of Italian composer Ennio Morricone, here is a selection of some of my favourite pieces. Morricone’s compositions are romantic, emotionally charged and multi-layered, just like the films that accompanied them. Mix & artwork by Claire Milbrath.
➼ Read MoreWe’re very excited to announce the release our new project. This is Volume 1. of Editorial Magazine’s literary supplement, Total Pet, a publication focusing on poetry and fiction.
➼ Read MoreQueer Thoughts presents “Bitch, You Gone Die,” at Art Basel, a selection of work by Diamond Stingily that contemplates debt as a moral and spiritual concern.
➼ Read MoreTenebrous and at times murky, Lewis Hammond’s solo exhibition, Still life, on view at Lulu in Mexico City, is nonetheless scored by a consistent pulse of luminosity. A soundtrack, or maybe the heartbeat of one of his smudge-hewn protagonists.
➼ Read MoreThe six works presented in Clifford Prince King’s current exhibition, “Want 2 Love U,” currently on view at Launch F18, capture the tenderness and intimacy of people coming together. Over the past few years, the self-taught LA-based photographer has cultivated a recognizable sense of style, subject matter, and richness in palette.
➼ Read MoreZoe Koke’s body of work highlights the falseness of myths that have been presented to us in her display and assemblage of the afterlives of everyday objects, poking holes in the hollow promises that are global capitalism, perceived gender roles, and the American dream
➼ Read MoreO.S.S. (Open Sound System) is a new collaborative project from music producers Unknown Mobile and NAP. A product of friendship, O.S.S. was made by Daniel Rincon and Levi Bruce over a course of impromptu studio sessions and hangouts between Canadian coasts. O.S.S., the EP under the same name, can be described as “Rodeo Ambience.” The EP features five suites, which aim to invoke “god rays,” – the rays of sunlight that are amplified by the passing of clouds at dusk.
➼ Read MoreA cob-webbed clearing in a dark forest hosts shimmering pink daemons. The work presented in Will Sheldon’s solo show, “Trouble After Dark,” digitally on-view at Team Gallery until May 30th, is like The Nightmare Before Springtime, a world glittering in its own dew as death coagulates into life.
➼ Read MoreFrieze NY art fair went virtual this year which meant I could attend the fair for the first time from my Montreal home. Here’s my top picks from the fair, ranging from young, emerging, mid-career artists to outsider artists. I hope you enjoy my selection.
➼ Read MoreLost in the wallet-emptying, planet-destroying, hype-horny world of luxury retail are the things we actually like about fashion. In favour of fashion as a genuine means to self-expression, we present style icon Zaina Miuccia, aka Piglet, in a self-styled editorial shot by her lover, Ivar Wigan.
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