Printed in Issue 21 Frank Dorrey’s world is one of colour and clash, an overly-saturated realm of sunburnt imagery evocative of that very 90s cocktail of low-quality and high-contrast, one part Hype Williams-directed “Gimme Some More” and one part children’s program animation. Frank makes his works using…
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Profound senselessness and deadpan irony, changing pace in a single word.
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Fantasy, surrealism, violence, and eroticism combine to create a particular type of goth horror.
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The experience of looking at Maren Karlson’s paintings is one of uncanny recognition: a simultaneous coming to and an evacuation of the senses.
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Turquoise Routine is David Horváth’s first solo exhibition ever, displaying a selection of small to medium format oil paintings. The Romanian born artist composes impressionistic scenes of landscapes, figures and self-portraits that demonstrate curiosity in light and shadows.
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Inspired by the idea of dreams and their meaning in our universe, Taiwanese artist Teng Yung Han navigates a made-up world in which her drawings exist in the peripheral. First featured in Editorial Mag over six years ago, Teng now critiques the persona that she’s…
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Driven by personalities inherently conflicted by lunatic tendencies, Louis Eisner’s Leaving Cheyenne opens and closes on a static questioning: isn’t the devil among us?
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Michael Childress’ solo exhibition, Equivalents, currently on view at Hesse Flatow, New York, presents kaleidoscopic paintings of symmetry and colour.
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An elaborate cast of covertly knitted, imaginary forest-dwelling characters exist in Vereja’s garments alongside more anatomical symbols of the natural world, like dragonflies, birds, and stars.
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For his exhibition die Pampertaarten, New York artist Marc Kokopeli takes up a popular craft practice known as “diaper cakes.” Diaper cake ideas use baby diapers to fabricate fanciful, themed objects, which are then offered as gifts at baby showers and gender reveal parties.
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Since placebo effects seem to appear most often in conditions characterized as “psychosomatic,” they collapse the dualism of body and mind that medicine relies on so fundamentally.
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Andrew Callaghan is drawn to annoying people like a moth to a flame. But partly maybe because he isn’t as immediately dismissive as the rest of us. He practices what he calls “radical listening” in his interviews, which is quite radical considering his subjects include Chet Hanks, the QAnon Shaman, attendees of the Hollywood antivax rally, a pickup artist bootcamp in Las Vegas, and numerous QAnon, Flat Earth, Conscious Life, and Bigfoot hunting conferences, to name only a few.
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Bringing together ancient and contemporary worlds, mythic stories with popular culture and subtle imprints of her own personal experience, A change (would do you good) is a solo exhibition of new works by Natalia González Martín that present the enduring power and symbolism of mythology.
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Venice Wanakornkul is among the herd of emerging designers going against the traditional and outdated systems of the fashion schedule and mass-production, while still creating longevity and community around her one-of-a-kind pieces.
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Greta Rainbow on the phenomenon of artists pronouncing their love for the lord.
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High-design, “good taste” spaces are jarred by what is arguably their aesthetic antithesis—fantasy art. There’s an Ork in your Eames lounge chair, corrupting the seductive austerity of the moment, the minimalist fantasy of today’s most discerning consumer.
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Tune in to Tex Crick’s collection of romantic songs this Valentine’s Day. The Australian musician offers up an eclectic mix of bossa nova, folk, and soft rock, capturing the highs and lows of this moody day. See our feature on Tex’s recent album, Live In…New…
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These are deep teen dreams of outdoor spaces, creatures and naked branches, thrashing and caressing; menacing but not nightmarish, premonitions “inciting a passion for the possible”
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